Like the first single, So Long Mr. Fear as
a whole features Wasif’s clear and crisp vocals amid lush instrumental
arrangements that belies the album’s actual remote recording
arrangement. “We built a tunnel through the goddamned pandemic,” Wasif
says about tracking most of the album in isolation but in conjunction
with producer and long-time collaborator Bobb Bruno of Best Coast. Like songwriting experts such as Lee Hazelwood, Leonard Cohen, and Nick Cave, on So Long Mr. Fear, Wasif, collaborator Bruno, and mixer GRAMMY®-nominated Lewis Pesacov (Best Coast, Nikki Lane, FIDLAR, Local Natives) unearth big ideas by carving away at smaller things until they glisten with universality.
Tender yet enigmatic vulnerability is reflected effortlessly in the
album’s ten tracks. Largely acoustic and warmly produced to allow his
vocals the space to breathe, So Long Mr. Fear utilizes
atmosphere and texture to occupy the same wavelength as rhythm and
melody to soaring heights. For the first time in his guitar-focused
recording life, Wasif wrote a lot of So Long Mr. Fear on piano.
Yes, his expert use of open-tuned guitars, which add a luxurious,
mysterious drone, endures; but the circumstances – forced isolation
wrought by the pandemic – afforded him the time to mine new instrumental
veins. Recording most of his master takes while both singing and
playing, the aim was to excavate songs without overthinking – relying on
what Wasif calls “the simplicity of their compositions – the direct
passage into the emotional realms that I feel most at home in.”
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